Sunday, April 3, 2016

Appreciating Artwork

     Sacagawea Award 2004

Beth Sahagian-Allsopp
 
Bronze
 
"The Articles which floated out were nearly all

caught by the Squaw who was in the rear. This
 
accident had likely to have cost us dearly; for in
 
this pirogue were embarked out papers,
 
instruments, books, medicine, a great proportion
 
of merchandise. The Indian woman, to whom I
 
ascribe equal fortitude and resolution with any
 
person on board at the time of the accident,
 
caught and preserved most of the sought articles
 
which, were washed over-board."
 
-Meriwether Lewis
         

 

 

 

 

"I chose to symbolize Sacagawea through both

 
the boat (as in boat launcher) and the bird (as in

 
bird woman) two interpretations of
 
her Lemhi-Shoshone name. Instead of riding on
 
the prow she rides on the edge where she can see
 
all around her. The pirogue like vessel is a
 
Cornucopia spilling its contents. The boat is a
 
metaphor for the womb, the cradle, the feminine
 
vessel of transformation and the protector on the
 
sea of life."
-Beth Sahagian-Allsop




 

          After taking the time to look at all of the artwork, I spent twenty minutes concentrating on the 2004 Award by artist Beth Sahagian-Allsop. At first I studied all of the shapes spilling out of the canoe. There was a shell, an animal’s jaw bone, a cluster of berries, a maple leaf, a turtle, a looking glass or telescope, a star, a crescent moon, an open book, and a bottle among others that I could not distinguish. I realized the lines in the water and the winding rope were highlighting a path for my eye to following and giving the piece movement. Some of the objects were consistent with materials that could have accompanied Sacagawea, Lewis, and Clark on their journey.  Others could have been things they saw in nature during their travels. The sculpture was made of bronze and was unified by brown tones throughout. I wondered what process the artist used to make the sculpture and how tedious the method must have been.



          Then I looked at the work from the Left side and noticed how exquisitely beautiful it was from this angle. I wondered if it was consistent with the golden ratio. I thought about measuring and gridding the sculpture to apply the rule of thirds but soon realize that it was not flat work and that would be difficult and inaccurate. I did not know the formula to make a calculation therefore I quickly gave up on deciding if the golden ratio was used in the sculpture’s construction. I assume it was because of the position of the bird and the aesthetic appeal. This side was simpler than the front with just one bird as the focal point. The bird was perched on the edge of the canoe and had a wave splashing against it just below. The vertical lines of the wave and the diagonal lines of the canoe gave the work balance and a dynamic flow. After taking the time to describe the work in my mind, it began to wander to a thought of where I was. Not just were I was physically, spending an hour of my Friday afternoon on the second floor of a beautiful Rotunda, but where I was in life.

            Before I came to look at the Sacagawea Art Collection at Alverno’s Galleria I spent the morning assisting people who had been victims of disasters through the American Red Cross. A women there was telling me about what she has learned through her years of volunteering with the Red Cross. She told me a story of an interview with a couple and their little son who recently lost everything they owned in a house fire. The father was upset because he had just bought a $200 pair of sneakers. That and other experiences made her realize just how much value people place in expensive material possessions instead of focusing on their primary needs being met. She mentioned that a lot of people use the money given for disaster relief to purchase items that in no way benefit their current needs or future recovery. Standing in the empty second floor of the Sister Joel Read Center, I realized that many people do not have the time to contemplate art or the resources or opportunity to spend time pursuing a higher education. They instead need to focus on solving the problems of poverty and recovering from hardships. Leaving the campus I was filled with a sense of gratitude.

2 comments:

  1. Dawn here...

    Michelle, thanks for sharing your observations about this sculpture from the Sacagawea Collection. Your analysis helped me appreciate this piece, a piece I wasn’t particularly fond of before reading your blog. True confession: Because I never took the time to study this work, I thought it was a saddle! A misshapen saddle, but a saddle nonetheless. You made me take a second look at the entire piece in detail. Not only did I understand it, I appreciated it, especially its symbolism.

    I’m especially glad that you shared the view from the other side of the sculpture. Indeed, the strong lines point to the little bird perched upon the pirogue’s edge. Good reference to art elements, by the way. I also learned a new word: pirogue. Including the description of how the pirogue overturning and Sacagawea saving a great deal of important tools and vital documents set context well and helped me appreciate the work. Sacagawea was one brave woman!

    I’m glad you took time with this piece and I appreciate your observations about putting life events into perspective.

    Side note: One of the recipients of this award moved to Florida when she retired. She didn’t want to take this heavy bronze with her, so that duplicate piece is in the offices of Professional Dimensions.

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  2. Michelle, I looked at this piece several times as well - and most certainly have a greater appreciation of it from the left side than any other. For me, enjoying just the left side seemed peculiar - especially because the right side had so many detailed elements. Those other elements just seemed to lack grace and the movement of them conveyed a frantic "spillage" to me that seemed almost disturbing. Viewing the piece from the left side is actually quite a calming contrast.

    Jenna

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